![]() This paper explores the persistence and ubiquitous spread of the stencil as a vehicle for mass–produced street art, made especially popular through the iconic work of British street-artist Banksy. At the other extreme are the stencil-cutters, who by comparison are regarded within the peer community of the subculture, as lesser writers, relying on craft skills that are held to be quaint, even fraudulent. At the apex are those writers who create the imposing wildstyle exhibition pieces, large-scale vivid inscriptions that require a high degree of graphic invention and daring. The book features photographs of hundreds of Blek's works and an in-depth exploration of the method and meaning behind his stencils and posters, as well as a look at the evolution of urban art from New York, Paris, Barcelona, and Buenos Aires to London, Taipei, Naples, and Berlin.Contemporary graffiti artists, or ‘writers’ as they are known, observe a strict hierarchy that self-ranks ambition, daring and calligraphic innovation. Street artist Blek le Rat is revered and acknowledged by the international graffiti community, and his work has influenced CD design, advertising, and graphics, as well as the work of urban artists around the world.įrom small, simple stencils to complex multimedia events, Blek's distinctive art is showcased here for the first time, demonstrating the development of his technique and creativity over two decades, from his unique images of Lady Diana and kidnapped journalist Florence Aubenas to his iconic silhouette of a rat. ![]() A unique view of the life and work of one of the most elusive yet most applauded and influential figures in the world of street art from the past twenty years.
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